Desperate Remedies by Thomas Hardy

(10 User reviews)   6073
By Robert Nguyen Posted on Dec 11, 2025
In Category - World Cultures
Hardy, Thomas, 1840-1928 Hardy, Thomas, 1840-1928
English
If you love a book that keeps you guessing until the final page, meet Thomas Hardy's thrilling debut. It's not the rural England you might expect from him—this is a full-blown Victorian sensation novel. A young woman, Cytherea Graye, finds her life upended by her father's sudden death. Desperate for security, she takes a position as a lady's maid at a gloomy estate. But her employer, the mysterious Miss Aldclyffe, has secrets, and the handsome architect next door, Edward Springrove, might not be who he seems. It’s a wild ride of hidden letters, dark pasts, and shocking twists. Think less pastoral romance and more 'what on earth is going to happen next?'
Share

Read "Desperate Remedies by Thomas Hardy" Online

This book is available in the public domain. Start reading the digital edition below.

START READING FULL BOOK
Instant Access    Mobile Friendly

Book Preview

A short preview of the book’s content is shown below to give you an idea of its style and themes.

satisfaction of any reader who may care for consistency in such matters. This is the only material change; for, as it happened that certain characteristics which provoked most discussion in my latest story were present in this my first--published in 1871, when there was no French name for them it has seemed best to let them stand unaltered. T.H. February 1896. I. THE EVENTS OF THIRTY YEARS 1. DECEMBER AND JANUARY, 1835-36 In the long and intricately inwrought chain of circumstance which renders worthy of record some experiences of Cytherea Graye, Edward Springrove, and others, the first event directly influencing the issue was a Christmas visit. In the above-mentioned year, 1835, Ambrose Graye, a young architect who had just begun the practice of his profession in the midland town of Hocbridge, to the north of Christminster, went to London to spend the Christmas holidays with a friend who lived in Bloomsbury. They had gone up to Cambridge in the same year, and, after graduating together, Huntway, the friend, had taken orders. Graye was handsome, frank, and gentle. He had a quality of thought which, exercised on homeliness, was humour; on nature, picturesqueness; on abstractions, poetry. Being, as a rule, broadcast, it was all three. Of the wickedness of the world he was too forgetful. To discover evil in a new friend is to most people only an additional experience: to him it was ever a surprise. While in London he became acquainted with a retired officer in the Navy named Bradleigh, who, with his wife and their daughter, lived in a street not far from Russell Square. Though they were in no more than comfortable circumstances, the captain’s wife came of an ancient family whose genealogical tree was interlaced with some of the most illustrious and well-known in the kingdom. The young lady, their daughter, seemed to Graye by far the most beautiful and queenly being he had ever beheld. She was about nineteen or twenty, and her name was Cytherea. In truth she was not so very unlike country girls of that type of beauty, except in one respect. She was perfect in her manner and bearing, and they were not. A mere distinguishing peculiarity, by catching the eye, is often read as the pervading characteristic, and she appeared to him no less than perfection throughout--transcending her rural rivals in very nature. Graye did a thing the blissfulness of which was only eclipsed by its hazardousness. He loved her at first sight. His introductions had led him into contact with Cytherea and her parents two or three times on the first week of his arrival in London, and accident and a lover’s contrivance brought them together as frequently the week following. The parents liked young Graye, and having few friends (for their equals in blood were their superiors in position), he was received on very generous terms. His passion for Cytherea grew not only strong, but ineffably exalted: she, without positively encouraging him, tacitly assented to his schemes for being near her. Her father and mother seemed to have lost all confidence in nobility of birth, without money to give effect to its presence, and looked upon the budding consequence of the young people’s reciprocal glances with placidity, if not actual favour. Graye’s whole impassioned dream terminated in a sad and unaccountable episode. After passing through three weeks of sweet experience, he had arrived at the last stage--a kind of moral Gaza--before plunging into an emotional desert. The second week in January had come round, and it was necessary for the young architect to leave town. Throughout his acquaintanceship...

This is a limited preview. Download the book to read the full content.

Okay, let's set the scene. This is Hardy's first published novel, and he throws everything at the wall to see what sticks. We follow Cytherea Graye, who's suddenly orphaned and penniless. To survive, she becomes a companion to the wealthy, moody Miss Aldclyffe at the eerie Knapwater House. Things get complicated fast. Cytherea falls for Edward Springrove, but he's already unofficially promised to another woman. Meanwhile, Miss Aldclyffe takes a strangely intense interest in Cytherea's life, and a shadowy figure from the past, Aeneas Manston, arrives with his own dangerous agenda. The plot twists involve blackmail, mistaken identity, and a fire that changes everything. It's a lot, but Hardy keeps the pages turning.

Why You Should Read It

Forget the gentle Wessex countryside of Far From the Madding Crowd. This is Hardy in full Gothic mode, and it's a blast. You read it to see a literary giant finding his voice. Yes, the plot is outrageous by modern standards, but that's part of the fun. The real draw is the raw emotion. Cytherea's desperation feels real—she's trapped by her gender and her poverty in a way that still resonates. You're constantly asking: Can she trust anyone? Is any choice a safe one? It’s a fascinating, messy look at how far people will go when their backs are against the wall.

Final Verdict

This book is perfect for Hardy completists who want to see where he started, and for anyone who loves a melodramatic, plot-driven Victorian thriller. If you enjoy Wilkie Collins or the darker, twisty tales of the era, you'll feel right at home. Just be ready for some wildly coincidental plot turns and enjoy the ride. It's not his most polished work, but it's possibly his most entertaining.



ℹ️ Legal Disclaimer

This is a copyright-free edition. It is available for public use and education.

Daniel Williams
1 year ago

Good quality content.

Patricia Martin
2 years ago

The index links actually work, which is rare!

Ethan Thomas
1 year ago

Very interesting perspective.

Charles Torres
2 years ago

Great read!

Elizabeth Moore
1 year ago

Citation worthy content.

4.5
4.5 out of 5 (10 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.
You must log in to post a comment.
Log in


Related eBooks