The singing leaves : A book of songs and spells by Josephine Preston Peabody

(7 User reviews)   3225
By Robert Nguyen Posted on Jan 10, 2026
In Category - Travel Writing
Peabody, Josephine Preston, 1874-1922 Peabody, Josephine Preston, 1874-1922
English
Ever felt like the right words could change the world? That's the magic at the heart of 'The Singing Leaves.' It's not a novel with a single hero, but a collection of poems and short pieces that feel like whispered secrets and quiet spells. Peabody writes about nature, love, loss, and hope with such simple, musical language that the pages seem to hum. Reading it is less like following a plot and more like finding a forgotten garden—you wander through, and certain lines catch the light in a way that stops you. It's a tiny, beautiful book for anyone who believes a few perfect words can be a kind of magic all their own.
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I wish she would not ask me if I love the Kitten more than her. Of course I love her. But I love the Kitten too: and It has fur. COW-BELLS. O what is there behind the hills, That all of the bells must know?— Over in all the light that fills The Valley with that glow? I followed a bell, and it all came true: Some down, and a yellow-bird; And Cedars—oh!—and specked with blue; And everything else I heard: Only whatever it is, behind The bell with the farthest call; The one I follow and never find, —The loveliest one of all. WIND. I let them call it just the Wind And tell me not to grieve: But I know all it left behind, And more than they believe. I know about the far-off lands Where people never sleep; They hide their faces in their hands, And rock and weep and weep. And I too little, all alone, To go and find them yet:— But oh, I hear!—When I am grown, I never will forget. THE MYSTIC. People say to me, ‘A Penny for your thought!’ And I can’t remember thinking; And I should think I ought. I wasn’t sleeping, either: I know that, because I saw things out of both my eyes. I wonder where I was. Now I’m back, I see them Sitting all around; And the noise together Makes a purring sound. But I know something more Than just awhile ago. I know something more!— I wonder what I know. THE MASTERPIECE. My mother cut it out for me And started it so I could see; And then she turned some edges in And let me take it to begin. I made it. But I did not know How very hard it is to sew. I took a long time for that stitch, And now it’s there, I don’t know which Is better. But not one is small, And they are not alike at all. That side was very hard to fix; And then the needle always pricks, But you must hold it and take care, Because the point is always there. And knots keep coming, by and by; And then, no matter how you try, The thread comes out of its old eye. · · · · · But someway, now I have it done,— I think it is a pretty one. LATE. My father brought somebody up, To show us all asleep. They came as softly up the stairs As you could creep. They whispered in the doorway there And looked at us awhile. I had my eyes shut up, but I Could feel him smile. I shut my eyes up close, and lay As still as I could keep; Because I knew he wanted us To be asleep. CAKES AND ALE. I’m always glad when Andrew comes. If only I am there, He stays awhile and talks to me As if he did not care. He took me to some Music once, When it was all for me: And O, I had a splendid time! And he said, so did he. It lasts, as if the Music still Went round and round the sky:— He said he had a good time, too; And I said, so did I! EARLY. I like to lie and wait to see My mother braid her hair. It is as long as it can be, And yet she doesn’t care. I love my mother’s hair. And then the way her fingers go; They look so quick and white,— In and out, and to and fro, And braiding...

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So, what exactly is this book? It's a slim volume from 1903, a collection of Josephine Preston Peabody's lyrical poems and prose pieces. There's no traditional story arc with characters A, B, and C. Instead, it's a series of moods and moments. You'll find poems that personify the wind and the rain, short fables about mythical creatures, and reflections on beauty that feel both ancient and immediate. The 'songs' are the poems—musical, often hopeful. The 'spells' are those moments of prose or verse that feel like an incantation, trying to capture a fleeting feeling or idea and hold it still.

Why You Should Read It

I picked this up on a whim, and it completely charmed me. Peabody's voice is clear and gentle, but don't mistake that for being simple. She finds wonder in everyday things—a spider's web, an old song, the first frost. In our noisy world, this book is a quiet space. It reminds you to look closely and listen. The language is beautiful but never showy; it feels honest. It's the kind of book you can dip into for five minutes and come away feeling a little more centered.

Final Verdict

This is a perfect little book for poetry lovers, daydreamers, and anyone who appreciates the art of concise, beautiful writing. If you enjoy the early 20th-century lyricism of writers like Sara Teasdale or the nature-focused wonder of Mary Oliver's predecessors, you'll find a friend here. It's also a great choice if you want to read something meaningful but don't have the bandwidth for a long, complex novel. Keep it on your bedside table for a dose of quiet magic.



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Elizabeth Thomas
1 year ago

I had low expectations initially, however the depth of research presented here is truly commendable. Worth every second.

Michael Jackson
3 weeks ago

Great reference material for my coursework.

4.5
4.5 out of 5 (7 User reviews )

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